WRITING
Trained as an art historian, Dylan Miner holds a PhD from The University of New Mexico – with a focus on Arts of the Américas – and has published extensively. To date, he has published more than sixty journal articles, book chapters, critical essays, and encyclopedia entries – some that you can download below. His book Creating Aztlán: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island was published in 2014 by the University of Arizona Press. His scholarly chapters have also been published by Duke University Press (2019), Yale University Press (2018), Washington State University Press (2017), University of Pittsburgh Press (2015), Oxford University Press (2014), Michigan State University Press (2013), University of Arizona Press (2012), Routledge (2018 and 2012), University of Toronto Press (2012), Palgrave Macmillan (2010), Blackwell (2009), Greenwood (2013 and 2008), Facts on File (2012, 2011, and 2008), and Sage (2007), as well as numerous gallery and museum publications, multiple journals, and other venues. Miner recently published a chapter on the activism of Michif artist Christi Belcourt in the catalogue published following her mid-career retrospective UPRISING: The Power of Mother Earth (with Isaac Murdoch).
Miner is presently working on two book-length projects:
“Half Breed Indians Praying for Presents”: Social, Cultural, and Political History of Rights-bearing Métis // Halfbreeds in the Upper Great Lakes;
"These Conditions Can be Changed”: An Art History of the the Industrial Workers of the World (IWW or Wobblies).
In additional, Miner is frequently publishing risograph artist books, both through his own press, as well as with art book publishers. Note: additional and updated texts are available here, as well.
ACADEMIC BOOKS
2014 – Creating Aztlán: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island
NON-ACADEMIC BOOKS // BOOKLETS
2018 – Bakobiigwaashkwani // She Jumps into the Water, 32-page risograph chapbook
2018 – Métis and Anishinaabe Beadwork Templates, 44-page risograph booklet
2018 – Gaawayag // Quillwork, 24-page chapbook.
2017 – Waawaakeshi // Aanikoobijiganag, 56-page, limited edition artist’s book.
2013 – Tikibiing Booskikamigaag, 24-page, limited edition artist’s book.
2011 – Refuge: A Migratory and Momentary Guide to the City, edited by with Roger Peet
BOOK CHAPTERS
2021 – ‘Gwayako-bimaadizi // She lives the right kind of life,’ book chapter on Christi Belcourt
2018 – 'Gichi-mookomaana miinawaa Gichi-maazhigaa’aabkok: From Big Knives to Big Pipelines'
2018 – 'Mawadisidiwag miinawaa Wiidanokiindiwag // They Visit and Work Together'
2017 – 'Gaagegoo Dabakaanan miiniwaa Debenjigejig: No Borders, Indigenous Sovereignty'
2015 – 'Makataimeshekiakiak, Settler Colonialism, and the Specter of Indigenous Liberation'
2013 – 'Stories as Mshkiki: Reflections on the Healing and Migratory Practices of Minwaajimo'
2012 – 'Halfbreed Theory: Maria Campbell’s Storytelling as Indigenous Knowledge and Une Petite Michin'
2012 – 'Radical Migrations through Anishinaabewaki: An Indigenous Re-Mapping of the Great Lakes'
2010 – 'When they Awaken’: Indigeneity, Miscegenation, and Anti-Colonial Visuality'
2007 – 'El Grito del Diseño: The Radical Visual Language in Chicana/o Newspapers'
2005 – 'Carlos Cortéz Koyokuikatl: Wobbly Heir to the TGP'
JOURNAL ARTICLES
2013 – 'Teaching "Art as Social Justice:" Developing Prefigurative Pedagogies in the (Liberal) Art Studio'
2011 – Hasta la Victoria (Deportista) Siempre: The History of Sports Posters in Revolutionary Cuba'
2009 – 'Provocations on Sneakers: The Multiple Meanings of Athletic Shoes, Sport, Race, and Masculinity'
2008 – 'Straddling la otra frontera: Revisioning Chicana/o Art History Through MiChicana/o Visual Culture'
ESSAYS
2015 – 'Agamiing, Awasaakwaa – On the Shore, Across the Forest' (Uncorrected Proof)
2015 – 'Gaagegoo Dabakaanan miiniwaa Debenjigejig (No Borders, Indigenous Sovereignty)'
2014 – 'Ni-aazhawa’am-minis, a Provisional Place for Crossing Over'
2013 – 'Tikibiing Booskikamigaag: An Indigenous History and Ecology of Flint, Michigan'
2011 – Essays from Refuge: A Migratory and Momentary Guide to Ljubjlana, in English and Slovenščina.
2007 – 'Red (Pedal) Power: Natives, Bikes, and Anti-Colonial Art'
2005 – Essay from Paper Politics: Socially Engaged Printmaking Today
ENCYCLOPEDIA ARTICLES
2014 – Indigenous Aesthetics from Encyclopedia of Aesthetics, second and revised edition
2013 – Entry on Art from Encyclopedia of American Indian Issues Today
2012 – Entries on Border Culture and Grape Boycott from Encyclopedia of American Reform Movements
2011 – Entry on Louis Riel from Encyclopedia of Native American History
2009 – Indigenous Radicalism from International Encyclopedia of Protest and Revolution
2007 – Entry on César Chávez from Encyclopedia of Activism and Social Justice
2007 – Short entry on the Grape Boycotts from Encyclopedia of Activism and Social Justice
2007 – Short entry on Mural Art from Encyclopedia of Activism and Social Justice
CRITICISM
2017 – 'Mshkikiwaaboo minken e piichi-aadizookaanigwaa aanikoobijiganag'
2015 – 'An Irreducible and Irreconcilable Gesture'
2012 – 'Wisconsin Uprising(s): An essay on Nicolas Lampert'
2011 – Essays on Diego Romero, Will Wilson, Jason Luján, and Jean Lamarr
INTERVIEWS + ESSAYS ON ARTWORK
2018 – Interview in Briarpatch
2013 – Interview in First American Art Magazine by America Meredith
2011 – Interview in Måg Magazine (Norway) by Audhild Dahlstrøm
CURATORIAL ESSAYS
2012 – Lake-Effect: Rurality and Ecology in the Great Lakes
REVIEWS
2009 – Review of KB Witherspoon, Before the Eyes of the World: Mexico and the 1968 Olympic Games